glitch video

Poems in River River, H&, Black Poppy Review and In Between Hangovers

New publications this week:

Hudson Valley literary journal RiverRiver broke out a shiny new web design for their Spring 2017 issue, which includes my poem “Modern (American) Lifeline.” You can read it here.

One “Civilization’s Lost” film still in H&, a journal of experimental visual poetry. You can check it out here. This is another excerpt from some glitch video work.

One text poem in Black Poppy Review. You can read “The Lock of Victorian Hair” here.

In Between Hangovers accepted a batch of work to be published over the next couple months. “Vegetarian Is the Night” was released on Thursday, May 26. You can read it here.

Pegasus Paradise music video

Last week I posted a new video to the Bionic Eyes YouTube channel. This one is a music video for the title track from the Tone Ghosting cassette Private Jet Experience  on Coffeehead Duck tapes. You can check out the label (and purchase copies) here:

In this video, nymphs and chimera romp across a candy-colored cyberscape as shattered neon waves crumble around them. Plenty of hyperdelic glitch washouts and damaged montages clutter the screen. Everything melts down into a plastic surface where the biological destiny of the body is denied, and the prurient gaze is subverted into an alternate plane of confusion. This is the longest video I’ve posted so far, so hopefully the colors will carry you to the rhythm, and the rhythm will carry you to the end.

Poems in H& and Streetcake; new video poem on YouTube

Several poems appearing in the blogoverse this week.

On April 25, one of my video poem stills, “Emit Damage-1” appeared in H&. You can see it here. This is a still from the video poem “Reprogramming Cybertopia.” You can see the entire video on the Bionic Eyes YouTube channel here.

On April 23, “Rock Remains Rock” was published in Streetcake Issue #52. You can read it here.

Plus, I posted another video poem on the Bionic Eyes YouTube channel. This one’s called “Succubus Highway” because of all the bikini girls on motorcycles.  The text reads “wherever there are ruins/lives like flames/dance across time.”

“Reprogramming Cybertopia”–New video poem on YouTube

This week’s video poem posted to my Bionic Eyes YouTube channel is “Reprogramming Cybertopia.

This one is something of a science fiction story about a UFO invasion during which aliens reprogrammed our two dimensional reality to create a cybertopia based on disinformation. The sphere of control includes mental processing, advertising, reconfiguration of physical space, and the deletion of individual consciousness.

Flashes of awareness interrupt the flow of kaleidoscopic patterns, glitch erasures, and a thick haze of throbbing video distortion. Humans conduct themselves as normal, despite being embedded in an artificial environment.

Video text: “emit damage/and what remains/to defeat real truth”

Visual poem in H& journal

A still image from one of my recent video poems appeared on March 30 in the poetry journal H&. This visual poem is titled “Static-1”. You can see it here.

The text on the image reads: “static/crushed bits/another meme ends.” It’s taken from one of a new group of works centering on lost civilizations, and the fragility of cultures, languages, and nations. The source video was created using a long chain of glitch video devices and other old video effects processors. Some of that footage can be viewed on the Bionic Eyes YouTube channel.

Bionic Eyes YouTube channel ready to view

Experimenting with glitch video is one of my current passions. I finally established a YouTube channel called Bionic Eyes to publish some of my video work. A sample video, “Negative Mermaid,” is up now. The images were created using VHS footage run through a BPMC Touch Deluxe circuit bent device. I’ve created several video poems using the Touch Deluxe along with a Kaos Pad Entrancer, which will be released as soon as I add some music to them. The same set up was used to create film stills used as self-portaits posted on this blog. I used a Tachyons+ Optiglitch circuit bent video effects unit to create the cover for my poetry collection, Savage Magic:

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